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Signe Madsen  

violin

Signe Madsen (violin) took her diploma at the Royal Academy of Music in Århus, where she continued in the solo class, making her debut in 1992. As early as the age of 29 Signe Madsen won the principal solo seat in the second-violin group in the Århus Symphony Orchestra, and since 1999 she has been leader of the second violins in the Odense Symphony Orchestra. She has been a soloist with among others the Århus Symphony Orchestra, the Odense Symphony Orchestra and the Copenhagen Chamber Soloists. Signe Madsen is a much sought-after chamber musician, and her repertoire ranges from Baroque to the most contemporary music. She is the leader of the Århus Sinfonietta and a member of the string quartet MIRA.

Live Dates

18/02/2016   Politiken

SIMON CHRISTENSEN MANIFEST: But There's No Need To Shout
4/6 Hjerter

"Simon Christensen får skabt en musik, der insisterer på en helt anden klangvirkelighed end den, vi er vant til at høre fire strygere skabe. En tilstandsmusik, der opfordrer til meditativ lytten og til, at man tømmer hjernen for fordomme."
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01/06/2012   Gramophone

Gunnar Berg: Chamber Music Works with Piano
"The melodic contours rather defy you to grasp their shape but they are full of potential energy"
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25/04/2012   American Record Guide

Gunnar Berg: Chamber Music Works with Piano
"The performances here are stunning."
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Discography

MANIFEST - But There's No Need To Shout
MANIFEST - But There's No Need To Shout
Simon Christensen

CD 8.226587 (2016)

Chamber Music Works with Piano
Chamber Music Works with Piano
Gunnar Berg

CD 8.226547 (2012)

Uncompromising music from the 1950s and 1960s by one of Denmark’s most acute, international modernists.

Works for Sinfonietta
Works for Sinfonietta
Hans-Henrik Nordstrøm

CD 8.226522 (2007)

New works inspired by both James Joyce and unpredictable nature

Tonkraftwerk
Tonkraftwerk
Thomas Agerfeldt Olesen

CD 8.226509 (2004)

Agerfeldt’s power plant makes weird, amusing and subtle music

Chamber Music
Chamber Music
Pelle Gudmundsen-Holmgreen

CD 8.224225 (2002)

The provocative Plateaux pour deux for cello and squeeze-bulb horn – and what followed after


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